In 1993, Mazzy Star released a record that sounds like a slow-motion dream - ethereal, unhurried and quietly spellbinding. It still lingers like smoke.
In 1981, Japanese musician Phew made a record with members of Can in a Cologne studio known for birthing sonic oddities. The result is stark, hypnotic and unlike anything else.
In 1972, Annette Peacock fused jazz, electronics and desire into a record that still sounds alien today. It’s raw, seductive and decades ahead of its time.
Holger Czukay - founding member of krautrock legends Can - goes solo and gets weird. Movies (1979) is a surreal collage of tape loops, radio ghosts and dadaist funk.
In 2011, King Creosote & Jon Hopkins released a quiet masterpiece - part folk songbook, part ambient dream. Diamond Mine is a hushed, heartbreaking study in restraint.
