
I'm the One
In 1972, Annette Peacock fused jazz, electronics and desire into a record that still sounds alien today. It’s raw, seductive and decades ahead of its time.
In 1972, Annette Peacock fused jazz, electronics and desire into a record that still sounds alien today. It’s raw, seductive and decades ahead of its time.
In 1986, Arthur Russell released a record of voice, cello and reverb that feels less like music and more like memory. Intimate, fractured, impossibly beautiful.
In 2003, Broadcast released a seminal record that sounds like a woozy blend of psychedelia, pop and experimentalism.